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	<title>Ryan Davies &#8211; RCD Audio</title>
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	<title>Ryan Davies &#8211; RCD Audio</title>
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		<title>7 Years as an Independent Professional Mixing &#038; Mastering Engineer &#8211; What I&#8217;ve Learnt</title>
		<link>https://rcdaudio.co.uk/lessons-learnt-mixing-mastering/</link>
		
		<dc:creator><![CDATA[Ryan Davies]]></dc:creator>
		<pubDate>Wed, 31 Dec 2025 11:33:49 +0000</pubDate>
				<category><![CDATA[Mastering]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Music Industry]]></category>
		<guid isPermaLink="false">https://rcdaudio.co.uk/?p=261</guid>

					<description><![CDATA[I didn’t start out as a professional mixing and mastering engineer. My career began in marketing. Music was always a passion, but when it came to paying rent, it didn’t pay the bills, so it had to take a backseat. Fast forward to today: I’m in my mid (okay, late) 30s, and I’ve been working [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>I didn’t start out as a professional mixing and mastering engineer. My career began in marketing. Music was always a passion, but when it came to paying rent, it didn’t pay the bills, so it had to take a backseat. Fast forward to today: I’m in my mid (okay, late) 30s, and I’ve been working as an independent professional mixing and mastering engineer for seven years. It’s been a journey of earning…</p>
<p><a href="https://rcdaudio.co.uk/lessons-learnt-mixing-mastering/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>One of the Most Underrated Mixing Tips</title>
		<link>https://rcdaudio.co.uk/arrangements-mixing-tip/</link>
		
		<dc:creator><![CDATA[Ryan Davies]]></dc:creator>
		<pubDate>Mon, 19 May 2025 14:10:42 +0000</pubDate>
				<category><![CDATA[Mixing]]></category>
		<guid isPermaLink="false">https://rcdaudio.co.uk/?p=215</guid>

					<description><![CDATA[I know we love to know about vocal chains and who uses what compressor and what settings for a certain type of pop production and blah blah. But the thing about that stuff is context. Their settings and chains might not work for your production, your microphone, your song etc. So rather than focus on [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>I know we love to know about vocal chains and who uses what compressor and what settings for a certain type of pop production and blah blah. But the thing about that stuff is context. Their settings and chains might not work for your production, your microphone, your song etc. So rather than focus on plugins and settings and all that nonsense that people on YouTube will tell you at length why…</p>
<p><a href="https://rcdaudio.co.uk/arrangements-mixing-tip/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>Watching ‘Becoming Led Zeppelin’ &#038; Wider Reflections On Music Today</title>
		<link>https://rcdaudio.co.uk/becoming-led-zeppelin/</link>
		
		<dc:creator><![CDATA[Ryan Davies]]></dc:creator>
		<pubDate>Thu, 06 Feb 2025 15:21:30 +0000</pubDate>
				<category><![CDATA[Music Industry]]></category>
		<guid isPermaLink="false">https://rcdaudio.co.uk/?p=224</guid>

					<description><![CDATA[Last night I watched Becoming Led Zeppelin, the documentary about the origins of the British supergroup, at an IMAX cinema. It was an incredible film. Wonderful archive footage, sincere and emotive interviews and of course, glorious rock n roll. I thoroughly enjoyed it. This was a classic documentary. There was no need to turn the [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Last night I watched Becoming Led Zeppelin, the documentary about the origins of the British supergroup, at an IMAX cinema. It was an incredible film. Wonderful archive footage, sincere and emotive interviews and of course, glorious rock n roll. I thoroughly enjoyed it. This was a classic documentary. There was no need to turn the narrative up to 11 (when the amps already are). It’s a fun…</p>
<p><a href="https://rcdaudio.co.uk/becoming-led-zeppelin/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<item>
		<title>Black Friday: A Word of Warning For Home Studio Producers</title>
		<link>https://rcdaudio.co.uk/black-friday-warning-producers/</link>
		
		<dc:creator><![CDATA[Ryan Davies]]></dc:creator>
		<pubDate>Thu, 07 Nov 2024 15:28:00 +0000</pubDate>
				<category><![CDATA[Mixing]]></category>
		<guid isPermaLink="false">https://rcdaudio.co.uk/?p=228</guid>

					<description><![CDATA[Black Friday will soon be upon us and if you’re a home studio producer this can be dangerous territory. Many items may have enticing prices like studio hardware, microphones, interfaces, but of course the one thing that really stands out is plugins. Many outlets have already started running deals! They’re cheap (and maybe even cheaper [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Black Friday will soon be upon us and if you’re a home studio producer this can be dangerous territory. Many items may have enticing prices like studio hardware, microphones, interfaces, but of course the one thing that really stands out is plugins. Many outlets have already started running deals! They’re cheap (and maybe even cheaper now) and are instantly available once you purchase them making…</p>
<p><a href="https://rcdaudio.co.uk/black-friday-warning-producers/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>New Dolby Atmos Mix of Ziggy Stardust: First Impressions</title>
		<link>https://rcdaudio.co.uk/ziggy-stardust-atmos/</link>
		
		<dc:creator><![CDATA[Ryan Davies]]></dc:creator>
		<pubDate>Fri, 18 Oct 2024 14:31:00 +0000</pubDate>
				<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Music Industry]]></category>
		<guid isPermaLink="false">https://rcdaudio.co.uk/?p=230</guid>

					<description><![CDATA[I was fortunate enough to recently go to a special hearing of David Bowie’s album Ziggy Stardust, remixed in Dolby Atmos at what once was Trident Studios. In attendance was producer Ken Scott, the man who originally produced the record in 1972, as well as producer Emre Ramazanoglu, who both played their roles in remixing [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>I was fortunate enough to recently go to a special hearing of David Bowie’s album Ziggy Stardust, remixed in Dolby Atmos at what once was Trident Studios. In attendance was producer Ken Scott, the man who originally produced the record in 1972, as well as producer Emre Ramazanoglu, who both played their roles in remixing the iconic album. Trident studios is a legendary space where many of the…</p>
<p><a href="https://rcdaudio.co.uk/ziggy-stardust-atmos/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Should I Put Reverb on the Insert or Send of a Track?</title>
		<link>https://rcdaudio.co.uk/reverb-insert-or-send/</link>
		
		<dc:creator><![CDATA[Ryan Davies]]></dc:creator>
		<pubDate>Tue, 17 Sep 2024 14:38:00 +0000</pubDate>
				<category><![CDATA[Mixing]]></category>
		<guid isPermaLink="false">https://rcdaudio.co.uk/?p=236</guid>

					<description><![CDATA[When it comes to learning to mix music in your home studio, I get asked a lot of questions around specific ways to mix. And, I’m going to answer one I hear quite often: Should I apply reverb on the insert or send of a track? Both ways have their uses and understanding the difference [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>When it comes to learning to mix music in your home studio, I get asked a lot of questions around specific ways to mix. And, I’m going to answer one I hear quite often: Should I apply reverb on the insert or send of a track? Both ways have their uses and understanding the difference between these two approaches can help you get the sound you’re looking for for your mix.</p>
<p><a href="https://rcdaudio.co.uk/reverb-insert-or-send/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>How To Work With A Mastering Engineer: Essential Tips</title>
		<link>https://rcdaudio.co.uk/tips-work-with-mastering-engineer/</link>
		
		<dc:creator><![CDATA[Ryan Davies]]></dc:creator>
		<pubDate>Tue, 17 Sep 2024 14:35:00 +0000</pubDate>
				<category><![CDATA[Mastering]]></category>
		<guid isPermaLink="false">https://rcdaudio.co.uk/?p=234</guid>

					<description><![CDATA[After working on over 200 plus projects as a mastering engineer, I’ve gained valuable insight on how to get the best experience for you and your music – So, here’s how to work with a mastering engineer to get the most out of your music. Below is a short list of what to do and [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>After working on over 200 plus projects as a mastering engineer, I’ve gained valuable insight on how to get the best experience for you and your music – So, here’s how to work with a mastering engineer to get the most out of your music. Below is a short list of what to do and what not to do when working with a mastering engineer. This is by no means a list of grumbles as a mastering engineer!</p>
<p><a href="https://rcdaudio.co.uk/tips-work-with-mastering-engineer/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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